Wednesday, February 14, 2018

LOVE MEANS... 2018 EDITION!!!

HEY THERE ALL YOU LOVERS... HOPE YOU ENJOY THIS SPECIAL ENCORE PRESENTATION OF MY VALENTINE'S DAY POST FROM 2010:


One of my all time favorite films is the Vincent Price classic The Abominable Dr. Phibes. I won’t be reviewing it for the “Scared Silly” project because it really isn’t a horror-comedy – it’s more of a horror film with some comedic aspects - dark, black comedy (juxtaposed against some wonderfully colorful art direction). And even if it was a full-fledged horror-comedy it was made in 1971, a full five years after my cut-off date of 1966 (which I’ve designated as the year of the last traditional horror-comedy, Don Knotts’ The Ghost & Mr. Chicken). “Phibes” really is a one-of-a-kind not to be missed film, however – check out its trailer:



The reason I’m talking about Dr. Phibes on Valentine’s Day is because the Phibes movie poster based its wonderful “Love means never having to say you’re ugly” tagline on the tagline of one of the biggest hits of the prior year, Love Story starring Ryan O’Neal and Ali McGraw.


That melodramatic weeper’s tagline “Love means never having to say you’re sorry” became a mantra for many men who were sorry they had to sit through the whole treacly affair, but too afraid to admit as much to their wives and girlfriends! Years later, a shopping mall offered free La-Z Boy recliners to any man who could actually sit through the whole Love Story - multiple times in a row - without falling asleep or bailing out completely... or BALLING OUT completely... as detailed in this news report:



I’ve always found it hard to warm up to love stories about dullard and/or self-centered humans – and there seem to be so many. When love stories show up in comedies, action or horror films, they just seem more real to me (even if the trappings are pure fantasy) because the mettle required to truly sacrifice yourself for your loved one just seems more sincere when you have to face a horrible monster, dangerous villain or even a guy in a bad gorilla suit to do so.


Here’s one of the all-time great examples of unrequited love. It comes from a sublime classic among horror films, The Bride of Frankenstein. Again, this isn’t a horror-comedy, but it is a horror film with ample doses of comedy thrown in (along with fantasy, sci-fi, romance, tragedy and all sorts of underlying meanings and themes). And it is required viewing.



There’s an offshoot of the “horror-comedy” film genre that I like to call the “supernatural romantic comedy.” These are films involving one or more partners in a love story who are either ghosts, witches or some sort of supernatural creature. They aren’t always “horror-comedies” because they tend to be on the light breezy side without any of the requisite creepy trappings although sometimes they do have scenes where those supernatural powers are being used to frighten an antagonist deserving of comeuppance. Some examples of films in the “supernatural romantic comedy” genre include I Married a Witch, The Ghost & Mrs. Muir, Bell, Book & Candle and the Topper movie series.



One of the all-time best “supernatural romantic comedies” also happens to be one of the best Abbott & Costello movies ever made as well. It’s a movie a lot of people remember - just check out the message boards at www.abbottandcostello.net – at least once a month a visitor stops by to ask “what was that film where Costello was a ghost trapped in a wishing well?” Gordon Lightfoot even referenced it in a song – at least I think he did, as he sings “just like an old time movie ‘bout a ghost from a wishing well,” and I still haven’t found another film that fits that description (believe me, I’ve tried).



So to all my “Scared Silly” readers, here’s wishing you a very happy Valentine’s Day. And if you want to watch a good supernatural love story, skip “Ghost” this year and watch Abbott & Costello’s The Time of Their Lives instead. Lou Costello actually makes a believable and quite likable romantic hero, and both he and partner Bud Abbott deliver some top-notch dramatic performances (and of course comedic bits as well). My experience has been that it’s the one Abbott & Costello film that people who don’t usually like Abbott & Costello actually enjoy. So what are you waiting for? Go enjoy it already!



(P.S.: It's a good one for President's Day, too)!

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