Hello, fans. Well, sincere apologies for my conspicuous absence around these here parts... my life's been more chaotic than a haunted house lately!
...and speaking of haunted houses, here's a Happy Halloween gift from me to you, until I can drop some new book content again, coming to you courtesy of the public domain (this Mickey Mouse short became public domain on January 1st, 2025). ENJOY!
Well, Springtime is upon us once again, and that means three of springtime's most glorious things are upon us, too: blooming flowers, baseball, and another round of Rondo Award nominations!
The latest nominations (for achievements in horror entertainment, merchandising, journalism and fandom during 2024) were recently announced. And yes, for at least the fourrteenth (I think) time (!!!), this humble little blog about spooks and kooks, ghouls and fools, and creeps and clowns has been nominated for a Rondo award!!!
The Rondo Awards are the brainchild of David Colton. They are named after Rondo Hatton (you can learn more about Rondo Hatton by watching the video clip below) and are awards given to those who in some way are keeping the love for and appreciation of classic horror alive. You can learn more details about the Rondo Awards and view this year's ballot by clicking here.
"Scared Silly" has again been nominated in the "best website" category, so it is my hope that if you like this blog and the work I do, you will cast your votes for me.
Votes are due by April 20th, 2025. That should be easy to remember as this year that's Easter! All voting is done by email only so you must email your picks directly to David Colton at taraco@aol.com
Until then, here's a little video you enjoy giving us all a little backrgound on the life and career of Rondo Hatton - ENJOY:
Welcome to 2025... in the real world! Here in our world of reminiscing of decades past, welcome to 1950!:
No matter how much time marches forward, let's always remember to keep the very best of the past alive... especially when it comes to classic horror-comedy films!
HERE'S WISHING YOU EVERY BLESSING FOR THE NEW YEAR!
Speaking of time, I want to take this opportunity to thank you all for making the past few years so much fun for me. Thank you to all those who have tweeted about my blog, chosen to “follow” the blog, have left comments on posts and told others about the project. I am especially grateful to all the blogs, podcasts, and websites who have publicized this wacky endeavor over the years.
Special mentions for 2024 go to author, film historian, and 3-D film preservationist Bob Furmanek for having me edit and contribute scripts for the soon-to-be-released ROBOT MONSTER COMICS IN 3-D, and comedian-actor-singer-film historian-author Nick Santa Maria and Jerry Sciarro for having me appear as a guest on their ABBOTT & COSTELLO MEET THE PODCAST show to discuss HOLD THAT GHOST! Both Bob and Nick have written superlative books on Abbott & Costello that I encourage you to seek out, and are both swell gents, so I am truly honored and greatly appreciate their kindnesses. You can listen to the above-mentioned interview by clicking on the highlighted link above.
Most of all, there's no blog without you readers out there so thank you to ALL SCARED SILLY FANS!
It goes without saying that the past few years will go down as one of the most challenging times in history for the majority of us. My hope is that no matter what you’ve gone through or what you’re going through, you have a support system to turn to, for to have friends and family help you through such times as these is a blessing indeed... and in all cases, we all should just be loving each other. If enough of us go forth each day with love in our hearts, I am confident the year 2024 will end on a positive upswing, an upward trend from all we’ve endured the past four years. So... love.
As always, it wouldn't be New Year's Eve here without Vagabond Opera performing “New Year’s Eve in a Haunted House,” composed by avant garde jazz legend Raymond Scott, the man behind many of the melodies heard in Looney Tunes cartoons - enjoy everyone in your life and all your blessings as you enjoy your New Year's Eve!
Hope your holidays were grand, friends! Here's a few additional goodies to keep you in the festive spirit!
(NOTE: Many of the feature films, shorts and animated cartoons discussed on this site, being from an earlier time, may contain elements considered insensitive and politically incorrect to us today. Any such controversial themes do not represent the thoughts and opinions of Paul Castiglia and the films discussed and presented here are done so purely for their inherent entertainment and historical value, apart from any such themes).
Here's a curio: a rendtition of A Christmas Carol featuring as narrator one of our Scared Silly favorites, the Prince of Horror (often with tongue placed firmly-in-cheek), Mr. Vincent Price himself!
Believed to be the earliest television version of A Christmas Carol, it was produced as an advertising vehicle for Magnavox and aired on 22 stations across the nation on Christmas Day, 1949.
Dickens' venerable tale endures, much like the A Charlie Brown Christmas TV special, due to its underlying themes befitting from whom Christmas' name derives. In this case, we have repentence, redemption and re-birth at the core, all told to us in those dulcet tones that only Mr. Price could so eloquently deliver.
I say “unsuspecting” because no one in America could have suspected the Santa legend was so different in Mexico. Or maybe it was just different for the writers and directors behind this cinematic oddity. I’ve read many articles about the film and I’m still not sure what the answer is. All I can say is that the differences are not subtle.
Some examples: In this version, Santa doesn’t live in the North Pole – he lives in a castle in the clouds! He doesn’t have real reindeer – they are mechanical! He doesn’t come down chimneys – he enters homes with a magic key. All this, plus he fights an emissary of the devil (no, the photo at the top of this post isn't photoshopped)!
It gets weirder… and scarier… from there. Santa watches over (or more accurately, spies) on the children of the world via a telescope whose unnervingly snaking appendage has a blinking eyeball for a lens! Santa’s right-hand man is Merlin (yes, the sorcerer from Camelot legends) and somehow Santa has gotten children from all over the world to perform for him in a lengthy and very politically incorrect sequence where he watches choirs from many lands sing to him. Oh, and speaking of children, Santa doesn’t have elves. He has children make the toys for him!
As if Merlin’s involvement wasn’t non sequitur enough, the film also shoehorns a distorted Christian sensibility into its core, as Santa basically works on Jesus’ behalf. Which of course makes Satan mad to no end and inspires the dark one to send his hench-demon Pitch into battle against Santa in both direct and indirect ways (in the form of recruiting bad little kids to bedevil the good ones who have Santa’s favor).
NEW THOUGHT I HAD IN 2019: Could this movie have possibly been inspired by the 1947 song, "Here Comes Santa Claus" by Gene Autry and Oakley Haldeman? I've always felt it had the same bizarre mix of secular and Christian Christmas concepts - "let's give thanks to the Lord above 'cause Santa Claus comes tonight!" I wonder what Esquivel would say about that?...
So it’s not technically a horror film… but it is quite scary. And it’s not a comedy... but it’s so bizarre and absurd that it can’t help but make you laugh in spots (even if that laughter is uneasy at times). For me as a Christian believer, there is an extra layer of weirdness in its cockamamie misrepresentation of the faith that is both scary and funny simultaneously (not funny “ha-ha” but funny as in, “I can’t believe what I’m watching!")...
...but enough of me talking about this film. It really has to be seen to be believed. That plus others have already done in-depth and entertaining examinations of the film which you can read when you click on the links below:
...and best of all, an official blog has been launched containing various articles and reviews of the film – not to mention your chance to vote on such pressing questions as “Which country featured in Santa’s Heavenly Workshop suffered the most ethnic stereotypes?” and “What is the creepiest gadget in Santa’s ‘secret’ lab?” Just click below to visit this new blog appropriately named...
This blog is a companion piece to Paul Castiglia's forthcoming book of the same name, all about horror-comedy films like the classic features "Abbott & Costello Meet Frankenstein," the Bowery Boys’ “Master Minds” and Bob Hope's "The Ghost Breakers;" plus short subject spook-spoofs by comedy legends including Laurel & Hardy, the Little Rascals and the 3 Stooges; and such low-budget gems as "Zombies on Broadway" and "Bela Lugosi Meets a Brooklyn Gorilla."
Paul Castiglia is a veteran comic book creator, having written and edited several comic books as well as compiling trade paperback collections. He has also written pop culture articles and essays for magazine and book publications, and done research for special projects related to vintage entertainment.
His past forays into horror-comedy include providing a chapter to the book MIDNIGHT MARQUEE ACTOR SERIES: VINCENT PRICE about the comedic horror films that Mr. Price co-starred in with Peter Lorre, and writing the comic book series ARCHIE'S WEIRD MYSTERIES for several years (based on the animated cartoon show of the same name and recently collected in paperback form).
Oh yeah, Paul's dad is the godfather of The Misfits' Jerry Only, further cementing his "horror business" credentials. :)